Just a Little Bit Mad

My second album, featuring my new comedy songs, story songs and songs that are plain old sweet.

About the Album

While I was still recording “These Past Few Years,” my mind had already started to wander to the next musical project. One night, I was trying to sleep, but there was an itch in my brain for a song idea. I couldn’t get to sleep so I started writing lyrics and composing. 

Featuring on this album are two brilliant singer-songwriters, Oakelani Edmonds and Rylee De Salis, both of whom played at my “That’s Absurd!” screening. Also featuring on the album is an incredibly hard-working group of musicians, some of whom were performers at my album launch in 2024. The list of them can be seen below.

Compared to “These Past Few Years,” this album is less of an experiment and more of a presentation. These are all songs that I am immensely proud of. They are songs from my heart and mind. And I think they prove that I am just a little bit mad.

Piece List

Part one:

  • Burnt Cookies (ft. Oakelani Edmonds)
  • Too Loud, Too Quiet
  • I Think I’m a Baritone
  • You’re As Sweet As My Coffee
  • Moira’s Tale
  • I Could Never Get Married (To Your Wife)
  • Mice In My Roof
  • So Many Boys
  • That Was Love
  • ‘Cause When You’re Near

Part two:

  • Will You Love Me For Me? (ft. Rylee De Salis)
  • I Can’t Perform Classical Music
  • Patience is a Virtue (That I’ve Never Had)
  • My Favourite Sorbet
  • Hymn
  • Goodbye, Rory
  • Why is Life So Complicated
  • I JUST WANNA BE PRETTY
  • Butterflies
  • Horse Brother

The Band

  • Vocals – Kay Liddiard & Oakelani Edmonds
  • Keys – Madelyn Fardell
  • Guitar – James Dixon
  • Bass – Noah Rose
  • Drums – Jasmyna Steele
  • Brass – Jesse Hill
  • Violin – Brad Tham
  • Cello – Rafe Yang
  • Ukulele/Vocals/Songwriter – Leo Amadeus

Part One (46:50)

1. Burnt Cookies (ft. Oakelani Edmonds) (5:26)

 

 

  It was an absolute delight to collaborate with singer-songwriter Oakelani Edmonds on this piece. Oake and I first met at my first ever professional gig, “Six of the Best” at Smith’s Alternative – and I was enraptured by her incredibly poetic use of language in her original music. Later I found out she had a whole band(!!) and had the joy of (for the first time) seeing The Bottlebrushes perform at a gig only a few days after Just a Little Bit Mad came out.

 

 

  This song is about two people who meet and fall in love, and they do all these nice things for each other. They try to surprise each other by baking their favourite treat  – cookies – but unfortunately they both burn the cookies. The song is about loving someone despite them not being perfect. It also includes one of my favourite rhymes (“spatula” with “that you love”).

 

 

  Oake and I are sure to write more songs together over the coming months and years. Keep an eye out!

 

 

2. Too Loud, Too Quiet (5:01)

 

 

  This was one of the first songs I wrote for this album. Originally, Just a Little Bit Mad was going to be a s-song EP for voice and ukulele, but I have once again succumbed to the urge of creating mega-projects. The six songs are all in the first half of the album.

 

 

  I wrote it after a particularly bad day when I was feeling sensory overwhelm, and quite isolated from my friends. It’s about being autistic and struggling to fit in and catch up. My autism didn’t start to present very clearly until I was in my mid-teens – there were signs when I was younger, but I was masking very heavily for many years. A few months after writing this song, I stopped masking as much (it very rarely happens now!) and I started being a lot happier.

 

 

3. I Think I’m a Baritone (5:39)

 

 

  The second-last song to be written on this album, I Think I’m a Baritone has become a steady favourite of mine. I do wish I were a true tenor, but I am slowly learning to sing higher and higher with a softer and sweeter tone – but not in falsetto! Developing my mixed voice has been a lot of fun, but I don’t actually use it that much on this album. That’ll be something for next time.

 

 

  In this piece, I quote Nessun Dorma by Puccini, and I sort of fail at it. It’s not perfect in this recording. However – I have been working on it, and it’s getting better and better each time!

 

 

  I’ve been told this piece is very Noël Coward. I’m honoured to be compared to him in any capacity.

 

 

4. You’re As Sweet As My Coffee (6:03)

 

 

  This song speaks for itself. It’s about people I don’t like very much. It was also one of the original six for the would-be EP.

 

 

  I am wary about this song, because it is about real people. But I won’t ever say who those people are. The people who know know, and that’s enough. The concept of the song is what’s important – it’s comedy. It’s meant to be bold and a little bit shocking. The bridge still makes me laugh after listening to this dozens of times while mixing it.

 

 

  My mother does not like this song. But you can’t please everyone.

 

 

5. Moira’s Tale (4:42)

 

 

  Another of the original six, this song is one that I am very proud of. It was originally going to be a comedy song about a soldier who did whatever his commander told him to, to the point of covering up the commander’s crimes, but the meaning and style of the song changed a lot as I started writing it.

 

 

  I actually wrote this song all in one day, over eight hours. It is the only time I’ve ever done this. It’s also the first song in the album where someone dies. The song is about a lonely girl who dies in a storm while she’s at sea – and despite her loneliness and lack of human connection, her song is still sung today by the creatures of the sea.

 

 

6. I Could Never Get Married (To Your Wife) (5:03)

 

 

  Yet another of the original six, this was a song I wrote for my brother’s wedding. I was honoured to be chosen as the MC for Caspian and Tabitha’s wedding, and I decided to surprise them with a song I had written. The concept was simple. And it was a big hit. This was the first original song I had ever performed live, so it’s very meaningful to me. And I’m sure it’s very meaningful to Caspian and Tabitha, too.

 

 

  Caspian and Tabitha’s wedding is also where I met a lot of the band members for my album launch of These Past Few Years, and most of them are a part of this project, as well. Of course, that day is the most significant day of my brother’s and sister-in-law’s lives. But it was pretty damn significant for me, too.

 

 

7. Mice in My Roof (2:54)

 

 

  Again, a very simple concept. There were actually mice in my roof late at night, and it sounded like they were doing the deed up there. And so I had the idea for the song. This song was also one of the original six.

 

 

8. So Many Boys (3:10)

 

 

  If you didn’t know, I’m gay. Well, I’m bi. But this song is about the guys.

 

 

9. That Was Love (4:15)

 

 

  I jokingly call this song my one hit wonder. It’s the most commercial song I’ve ever written (and it’s also the first one from this album I wrote – it’s part of the original six!). The simplest chorus. Falsetto singing. A love song. One day it’ll make me a million bucks.

 

 

  It’s important to note that the song isn’t called “That Is Love.” It’s “That Was Love.” It’s about acknowledging that a (one-sided) love that once existed no longer exists, and it’s about reminiscing about old feelings.

 

 

10. ‘Cause When You’re Near (5:04)

 

 

  This song is dedicated to my two best friends, Zoe and Nadia. It was the last song to be written on the album. And it’s a song that I’m extremely proud of.

 

Part Two (53:43)

11. Will You Love Me For Me? (ft. Rylee De Salis) (5:03)

 

  Rylee was a wonder to work with – her composition style is very different to Oake’s and mine. For this song, the important part was the vibe. The vibe of the music came first, and then the meaning (whereas with Burnt Cookies the idea was there from the start).

 

  This song is about the uncertainty of love through change, and fearing growing more distant with someone as time passes. The theme actually is very similar to the song “These Past Few Years,” – the desire to be a certain way, and to be perceived a certain way, but because of the way the world is, things turn out differently than we would like them to.

 

12. I Can’t Perform Classical Music (7:02)

 

  Oh boy. This is the fan favourite. This is by far the most appreciated of my songs.

 

  It’s based on a true thing about me – I can’t perform classical music. Obviously, I can. To an extent. But my technique’s bad, I get really nervous and I’d really rather do other styles of music. But I am also a drama queen and so I have exaggerated that for the sake of this song.

 

  If there’s any song of mine that I’d like to be remembered by, it’s this one.

 

13. Patience is a Virtue (That I’ve Never Had) (5:38)

 

  Once more, this is a very simple concept that turned out quite well. I was very proud of rhyming “luxury” with “crutch to me,” as well as “Gertrude” with “virtue.”

 

  This was the last song I recorded, and I really just wanted everything to be done. So I didn’t tune my vocals as much, or do as many takes as I probably should have. It was getting late and I had been in the studio for seven hours a session for many sessions. I lost a week of recording because I was on set for the ABC show Austin, and I had missed my original release date for February 28th.

 

  Also, I’m sorry for rickrolling you at the end.

 

14. My Favourite Sorbet (4:30)

 

  This song is a dangerous one, because once again it’s about real people. But if those people ever find out it’s about them, I want them to know that I do not currently hold the feelings I sing about in this song.

 

  It’s a lament of regret. Of not saying something when I could have, because if I did, my life would have been very different. But I didn’t so it’s not.

 

15. Hymn (1:16)

 



16. Goodbye, Rory (6:06)

 

  This song is about my dog that my family had to put down. We got him when I was five. His death was probably the biggest loss I had suffered in my life up until that point.

 

17. Why Is Life So Complicated (6:17)

 

  This song I wrote after a massive mental breakdown I had. I don’t particularly remember the moment anymore, or even what caused the breakdown, but it was very distressing.

 

  The ending of the song is particularly interesting. I establish a quodlibet (different melody lines that overlay over each other) and then it turns out that there’s two(!!) secret messages(!!) hidden in them. One of them is “Right, left, right left, up, down, up down” and the other is “Heads, shoulders, knees and toes, eye, ear, mouth, nose.”

 

18. I JUST WANNA BE PRETTY (4:24)

 

  This song was written after a mental breakdown I had about how my gender was perceived. There was one particular incident – the details of which I won’t go into – that really made me think about myself and who I was. I actually felt quite uncomfortable being perceived as just a man.

 

  It took me a while to get into it, but now I wear make-up almost every day, I wear skirts sometimes and I even have been practicing voice modification. I feel more and more right every day.

 

19. Butterflies (8:01)

 

  Ooh, boy. This song is a doozy. Time signature changes, quartal harmony, minor ninth jumps in the melody. Just some of the crazy stuff included in this song. I also managed to do the phrase beginning with “‘Cause when you flutter by” in one breath. It took at least twenty takes. But I got there.

 

  It’s about crushes. Crushes are usually false perceptions and ideas that someone builds of a person they admire, and it can often be quite harmful to fixate on them. I was having a lot of crushes when I wrote this song. It was not good for me. And then after I wrote the song I stopped having as many crushes. That seems to happen a lot when I have strong or difficult feelings – I write a song about it and then it makes it all just a bit easier.

 

20. Horse Brother (5:26)

 

  This is the dumbest fucking thing I’ve ever written. The idea came about when the violinist, Brad, was talking about someone during the rehearsal for the launch of These Past Few Years, and I thought he was talking about his brother. Turns out, he was talking about some horse. And I thought, “what if there was a song where someone’s brother was just…a horse. Like. A literal horse.” And so that’s what I did. And this is now the titular song of my first solo comedy show.